22 Jan – 8 March James Capper Tools of the Trade , Rob Sherwood The Mercury Room & Oliver Griffin Theory in Failure ( Sequence one):The Daguerreotype and The Laser print. How we never learn from photographic history, just repeat it in digital formats.
Ja! Organised by Nick Jeffrey: Luc Fuller, Josh Blackwell, Travess Smalley, Nick Jeffrey, Conor O’Shea, Simon Mathers, Mary Hurrell, Viktor Timofeev, Angelika Loderer, Cindie Cheung The significant succession of images and objects is accountable throughout history, from the earliest account to our present reality of mass production. Modernist discourse rejected its tendency towards depiction, rhetoric of conceptualism disabled material support for the possibility of a unique object (1) we are now presented with an age of endless reproduction. Traditional display methods are residual in influencing placement to re-contextualise ideals in painting, sculpture, photography, printing, digital and analogue motifs insert reality, pattern, optical illusion, cartoon, and graphics. Methods together provide a relative context and unique possibilities. (Text by Conor O’Shea) 1] Peter Osbourne “Art” “Verses” “Image” / Refusing Practice A conversation between Georges Didi-Huberman, Luger Schwarte and phillip Ekardt Text Zur Kunst 56,104
From 5th November to 7th December, Nathan Cash Davidson will be exhibiting new works at Jerwood Visual Arts’ new show, Suspicion. Curated by Dan Coombs, this show also features Stephen Chambers RA, Simon Linke, Gavin Lockheart, Kate Lyddon, Darren Marshall, Damien Meade, Benjamin Senior, Geraldine Swayne, Neal Tait, Covadonga Valdes and Freyja Wright.
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